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sampled orchestral mockups + music production: part 1: brief demo of engraving software + playback
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Earlier:
- part 0: preliminaries (includes partial glossary of terms)
I know there are a lot of people who haaaaaate being forced to sit through video but since audio playback is inherent to the enterprise...This is under a minute, promise.
This is a brief demonstration of the opening of one of my compositions partially engraved (~sheet music typesetting) in Dorico. The two industry-standard engraving apps in media composition scoring are Dorico and Sibelius; Finale used to be a third but was sunsetted to much consternation.
If you come from classical music (especially classical orchestral music), you may be ??? about the score formatting. This is because scores for session orchestra and concert/classical orchestra have different formatting! (See part 0: preliminaries for more detail as to why). Differences for session orchestra you see here include:
- Score is in C (NOT a transposing score for the conductor - nota bene, transposing is "allowed" for octaves), but we won't have e.g. horn in F or trumpet in Bb. ( Read more... )
As for playback:
- Guess what, Dorico and Sibelius at the level of orchestral scores are spendy. :]
- I'm using NotePerformer, which is the standard higher-quality playback engine, especially if you don't have time to mock it up in the DAW (or you're an art/concert composer for whom a mockup is not part of your workflow). But that's also money (~$130 USD).
NotePerformer is pretty credible with a lot of orchestral instruments. You still have to massage its output. For example, in Sibelius [not shown] you can set playback to molto espressivo (LOTS OF FEELING) vs. senza espressivo (NO FEELINGS EVER!!!) (etc). My experience is that particular instruments can be less "real"-sounding and the "vocalists" (both SATB choir and associated "solo" voices) are absolutely terrible, as in "my vacuum cleaner sings more credibly than this" terrible.
Aside: There are some good vocal VST libraries for specific use cases. I hate that I am often able to straight-up identify "Oh yeah, XYZ floating ethereal ~Celtic Twilight vibes soprano 'ahhh' ululation in this trailer/score/whatever was $SPECIFIC_VST_LIBRARY" because, apparently, I have no life; but this is not unusual in this field.
I know at least one full-time composer/orchestrator/musician who straight-up bounces NotePerformer output and then processes that in the DAW (reverb etc) and, you know, this person makes a living doing this. So that's one route one can take.
Why, you ask, can't we just export this score-stuff into a DAW with all the fancy (...spendy) VST instruments and "paste in" nicer/more individualized instruments? Dorico (and Sibelius) do in fact export to MIDI and MusicXML. [1] This is a very reasonable question that will be the topic of the next walkthrough (part 2), mainly because it's a surprisingly (annoying) complicated topic as to why this is rarely straightforward. (Let me tell you all about negative track delay...)
[1] Missed these glossary items earlier! ( brief explanations of MIDI and MusicXML )
Happy to answer questions, although I have no idea if anyone else finds this interesting. :p
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not good spinning demo: EEW 6.1
Dreaming Robots' Electric Eel Wheel 6.1 e-spinner with some sacrificial Rambouillet/Gotland wool blend. Sorry about the mess; too hot to go outside with this. I don't claim this is good spinning, just a brief demonstration of Getting The E-Spinner To Do A Thing.
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This Week in the IndieWeb
September 5-12, 2025
Recent Events
From events.indieweb.org/archive:
- NÜRNBERG, Bayern: Fakultät Design Technische Hochschule Nürnberg Georg Simon Ohm
HWC Nuremberg is a in-person meeting for everybody who is interested in setting up a personal website and talk about web-related issues.
Upcoming Events
From events.indieweb.org:
- Online! Zoom!
Front End Study Hall is an HTML + CSS focused group meeting, held on Zoom to experiment and learn with the basic building blocks of the web. All skill levels welcome.
- DÜSSELDORF, Nordrhein-Westfalen: Xafé im KAP1 Bibliothekscafé
Homebrew Website Club (HWC) Düsseldorf is an in-person meeting for everybody who is interested in setting up a personal website and talk about web-related issues.
- LONDON, England: Bishopsgate Institute
The conference is dedicated to the Wordpress community however one speaker, Ana, will be having a IndieWeb talk. Use code ANA50 to get £50 off your ticket.
- NÜRNBERG, Bayern: Fakultät Design Technische Hochschule Nürnberg Georg Simon Ohm
HWC Nuremberg is a in-person meeting for everybody who is interested in setting up a personal website and talk about web-related issues.
- BERLIN, Germany: TBD
IndieWebCamp Berlin 2025 is being planned for the Saturday & Sunday BEFORE Beyond Tellerand Berlin 2025! Organizers are actively looking for venues, so if you or your company wishes to sponsor with the use of their space on the weekend, get in touch with Marc Thiele or Tantek Çelik.
What We’re Reading
From news.indieweb.org:
Top New Wiki Pages
From IndieWeb Wiki: New Pages:
HTML feed
An HTML feed is an HTML page with feed markup, such as h-feed.
Created by [tantek] on Tuesday with 8 more edits by loqi.me and tantek.com
all
all is a top level page on some personal sites that provides a composite stream of all kinds of posts.
Created by [tantek] on Monday with 5 more edits by tantek.com, loqi.me, www.benji.dog, and cali.jamesg.blog
Chirp
Chirp was a Twitter developer conference 2010-04-14…15 where they announced support for in_reply_to API on tweets, the first commercial social web service to do so.
Created by [tantek] on Thursday with 3 more edits by loqi.me and tantek.com
Immich
Immich is an open source project for self-hosting photos and videos that may be of interest for personal site photo storage.
Created by [jeremycherfas] on Friday with 3 more edits by www.jeremycherfas.net and tantek.com
2025/SD
There might be an IndieWebCamp San Diego 2025, see the Planning page San Diego section for details and progress for now!
Created by Tantek.com on Sunday
New Event Notes
From IndieWeb Wiki: New Pages:
Homebrew Website Club - Eastern: 2025-09-10
Homebrew Website Club Europe/London: 2025-09-10
Top Edited Wiki Pages
From IndieWeb Wiki: Recent Changes:
- timeline 26 edits by tantek.com
- microsyntax 15 edits by tantek.com and aaronparecki.com
- 2025/Berlin 6 edits by tantek.com and cali.jamesg.blog
- TSS 4 edits by tantek.com and loqi.me
- HSTS 4 edits by gregorlove.com, tantek.com, and loqi.me
- IndieWeb Book Club 4 edits by zacharykai.net, alabut.com, and marksuth.dev
- large language model 4 edits by gregorlove.com
- cohost.org 3 edits by osteophage.neocities.org
- Bangalore 3 edits by abhinavsarkar.net
- photo upload 2 edits by www.jeremycherfas.net and tantek.com
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not-good spinning: demo of spinning silk on a treadle wheel
Ashford Traveller (single treadle although you can see that, Scotch tension). Spinning mulberry (bombyx) silk from combed top.
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A Good Character vs A Realistic Character
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Dear FFFX Author
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I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.
The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.
I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.
General Likes and Dislikes
other things to keep in mind:
- I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
- I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
- I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
- I like fluff
- I like angst with a happy ending
- I like stories that make me think about things in a new way.
- I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
- I like unreliable narrators.
- I like acknowledgment that different people can have different points of view without either of them being wrong.
- I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
- Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
- I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
- I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
- I like the concept of sedoretu marriages.
- I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
- Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.
Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.
I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.
Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.
I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.
( Fandom for Robots )
( Peter Wimsey )
( Rivers of London )
( DS9 )
( TOS )
( TNG )
( Oh, My General )
( Thrawn Trilogy )
( Goblin Emperor )
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spinning WIP

The white is mulberry bombyx silk; the tawny stuff was my briefly foraying into eri silk. This is for personal use/enjoyment (needle lace) so it's fine that I'm wandering off like this. This is several hours of admittedly inefficient spinning, since I take frequent breaks so there's a very start-stop nature to it, but because the spin is so fine, this bobbin is...not very full.

This is what I have REMAINING in 2 oz. of mulberry silk combed top (about $25 USD). It exploded out of the package (typical) and also, it barely looks like I've even used any of it. As it stands, I suspect I'm going to be spinning this combed top for the next 30,000 years. :)
That said, silk is my absolute favorite to spin and I prefer spinning threadweight, so this is not a hardship.
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Ex Tenebris TTRPG on Kickstarter! (I'm writing a scenario for this)
Beyond the dark emptiness of space, beyond dreaming, lies the Tenebrium. Only you can unearth its mysteries, defeat the twisted horrors that lurk there, and keep humanity from becoming prey.
In Ex Tenebris, you play a ragtag team of investigators, protecting the Republic of Stars from terrifying supernatural threats. You will face sorcerers and cults, dark technology from lost civilisations and the slobbering terrors lurking in the nightmare realm of the Tenebrium.
Ex Tenebris is a complete TTRPG containing all the rules, setting and scenarios that you need to embark on adventures amongst the stars.
[...]
Ex Tenebris takes inspiration from the grotesque imagery of the Aliens movies, the existential dread of Event Horizon, the mysticism of Dune, the dark gothic setting of Warhammer 40,000, and the weird science/magic fusion of Ninefox Gambit.
- Josh Fox, lead designer & writer
- Becky Annison, writer
- Juan Ochoa, illustrator
- Nathan D. Paoletta, layout and graphic design
- Andriy Lukin, logo design
- Jog Brogzin, cartographer
- Chirag Asnani, writer
- Sarah Doom, writer
- Eleanor Hingley, writer
- Kieron Gillen, writer
- Yoon Ha Lee, writer (howdy!)
- Tejas Oza, writer
- Galen Pejeau, writer
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alpaca adventures, cont'd

Test spin of small experimental alpaca floof batch.
For lagniappe, the completed smol woven object made from my handspun that's headed to
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Mastodon: How to verify your account
Looking for that blue badge on Mastodon? We're sorry to say but there isn't one. Luckily there are other and better ways to get verified on Mastodon!
We all know those blue verification badges on mostly all of those platforms and services out there. Well, there is none on Mastodon. In the recent years those badges became more of a status badge than a verification badge. You could only get them when you were "famous" or when you waved with your credit card. So why care at all?
The original idea behind those badges is a good one. It's a badge to make clear: this is really me! So why is it missing on Mastodon?
First things first: you can verify on Mastodon. It just works differently. What is a verification badge worth if you can buy it without being verified as intended? On mastodon you can verify yourself pretty easy.
The best way to do is, is to have and use a personal website. There are other solutions, but in our optinions this is the best way.
For that go to preferences -> public profile -> verification
You'll be presented with a small code snippet, which looks something like this:
<a rel="me" href="https://mastodon.social/@sociabli">Mastodona>
You simply have to add this somewhere on your website. You can use it to link to your Mastodon account in the footer, for example. But you can add it to any link to your Mastodon profile. The important part is rel="me"
.
As soon as you added this link to your website, you can head over to your Mastodon profile under: preferences -> public profile -> edit
Here you can add extra fields. Fill in a label and paste in the URL of your site, like this:

Mastodon will now visit your site and look for that link from above. As soon as it finds it, Mastodon knows that this is really you and will mark that URL as verified.
This way people can make sure you are really the person you pretend to be. You can also add other services like GitHub for example. This may add even more trust.
By the way! When authorizing Sociabli to cross post for you, we set the permission in a way, that we cannot alter your profile as we don't want to invade sensible information like the one described above.
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processing alpaca floof, cont'd


I used hand carders after washing, then drying outside. It's extremely fluffy (and probably de facto blended with catten floof). I've never spun alpaca before, so that's next!
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further adventures in handspun + weaving
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alpaca processing: the adventure begins!


(Alternately, I have misidentified the bag and it's really mohair?!)
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Monday crafts
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Fun weekend
Saturday, was the Ren Faire day. We planned it for a weekend my sister could make but she bailed due to travel and other stuff she had going on, so in the end, it was me, my brother and his wife and my cousin who lives down that way. It was a good time! There was a threat of rain but we went anyway. I left early, had to head to an Amish place and pick up jams and jellies for the fall business. That went well and I got to the faire around 11:30. Security and entry went very fast and my cousin K was already inside waiting. We went wandering around which is one of my favorite ways to attend a faire or event. We caught up, it's been a while since I'd seen her or spent time with her in any significant way. I used to think she was kinda annoying and dramatic and she probably was a little bit, but as an adult, she's settled down a bit and is now pretty responsible. And I have a higher tolerance for stuff now too. S and L arrived around noon so we looped up to the main gate to wait for them. Did some more wandering and chatting, looked at stuff for sale, got some food. We watched the jousting which was amusing if not exciting. Those horses have done that routine so many times, they were practically sleepwalking through it. K had to hit the road, so S and L and I did some more indepth browsing in shops. I ended up with a bone pendant of a unicorn that will get hung on a wall at some point, they bought a wooden carved mushroom statue which was neato and some card deck boxes for a friend of theirs. Then we left. We could have spent more time there, but I think as adults, we just get tired lol
Yesterday, I woke up extremely sore. I think it's because I wore my new sneakers. They don't hurt my feet but my hip flexors and hamstrings are still sore today. I'm guessing it was also the pavement I was walking on. Plus the five or six hours of driving which I'm not used to anymore. I got up, did some irrigation stuff (dry again! two days of storms got us .3 inches of rain) then hit the road to the Endless Mountain Fiber Festival. It wasn't a super long drive and the route was pretty scenic. It's a very small festival, probably 2/3 or 3/4 of the size of the ADK Fiber Festival which is also decently small. Biggest irritation was that they collected payment as you drive in, so there was a line of cars sitting on the road and not a lot of people taking money. But it's a very back country road, so I'm assuming all the locals know to stay away. They parked us very close to the event, so I guess that's why they had to do it that way. I watched the sheep shearing first which featured a normal machine shear but also a blade shear by a woman who does reenactment which was neat. I chatted with the shearer afterwards and he said I absolutely should start shearing in the area. I did some wandering as you do. The vendors were set up in two animal barns and everyone had decently size booths and the lighting was good in both barns.
I was struck by the sheer number of spinners at this event. So many people had spinning wheels at their booths, far more than I've ever seen at other fiber events and lots more roving, fiber and handspun yarn available than I've seen before. I also saw the most beautiful felted sculpture I've ever seen, it was exquisite. It was a Clydesdale horse and omg. It won grand champion in the show and it should have. It was incredible
I found two local groups, one is a fiber arts guild and it meets the second Sunday of the month from 1-5pm only 35 or 40 mins away which isn't too bad. The other is a weaving and spinning guild which is an hour and a half but also not a bad option. I'm glad the fiber arts group was there because I'd heard about them when I went to the knitting group at the library but the people weren't wildly specific on meeting days and times and locations. They don't have an online presence at all.
I bought some pretty roving and two fleeces, one a washed brown BFL and one from the fleece sale that was a BFL, Texel, longwool cross. Six inch staple, really nice crimp. I'm going to spend some time today working on my current fleece project. Lots of fleeces on my mind right now.

Good weekend, working a half day today (more irrigation, the strawberries and blueberries set fruit at this point in the season, so watering is needed and some selling area cleanout) so I can do some fiber arts this afternoon and make casserole for dinner this week.
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sampled orchestral mockups + music production: part 0: preliminaries
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Howdy! I’m Yoon, an MFA student in media composition and orchestration. I am here today to talk to you about sampled orchestral mockups in composing music.... It’s a niche field even in (media) composition due to the cost + tech barriers to entry. I thought folks might be curious (and maybe interested in trying their hand at a lower-cost version of it).
To the extent that I have musical training (mostly Obligatory Asian-American Piano Lessons by volume), it’s classically inflected. Even folks who hate classical music :) probably know it exists. A more “traditional”/conservatory approach to writing for (symphony) orchestra might involve pen-and-paper composing to generate sheet music. This is my background and I still do a lot of sketching on staff paper.
This inherently means you’re reading (Western classical) music notation (of which more anon) and often means you’re wrassling explicitly with music theory and related topics.
However! These day, hiring a session orchestra is semi-doable by a dedicated individual if you have the money lying around. ( Read more... )
So most mortals who are doing orchesstral or hybrid orchestral scores for film or TV and especially non-AAA video games are using sampled orchestra mockups.
Note: unless otherwise specified, if I say “music notation” or “music theory” I’m referencing more or less common practice Western (European-derived)-style music notation simply in the interests of avoiding unwieldiness in this overview. ( some further observations )
Hiring a session orchestra may be surprisingly semi-doable by a normal human but most work in orchestral media composition (film, TV, video game scores) is now done in software via sampled orchestral mockup. This includes classical-ish, e.g. John Williams everything or Carlos Rafael Rivera’s score for The Queen’s Gambit, or hybrid orchestra (e.g. Two Steps from Hell) with synth or “modern” instrumentation elements.
A quick and dirty (incomplete) overview of terms you might come across in this space, with simplified explanations. There’s a LOT of jargon, some of which is obscure or confusing even to e.g. classical musicians entering this space! ( Read more... )
This has all been in the way of preliminaries, apologies! This is an extremely technical field so the jargon alone is A Lot.
These days, composers often write (in that workflow) using engraving software. In this context, this means “music typesetting for sheet music,” and for session work specifically there are strict formatting rules to save time (money). The other workflow for computer-based composition + production (i.e. not tracking live instruments, of which more discussion later) involves taking everything into the DAW and producing realistic-sounding mockups in software. I will (in future posts) run through DAW examples of this (hopefully with video + audio capture so you can see the workflow).
Happy to answer any questions; it’s almost impossible even to gesture at a bunch of the music or tech stuff in a small space, and I have almost certainly missed some useful jargon because it's UNENDING. :p
ETA #1
next: part 1: brief demo of engraving software + playback
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needle lace WIP

I started this a few years ago but life got busy.
(Technical details posted elsewhere to
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latest spinning WIP

I figure if I'm spinning anyway, I may as well entertain myself by spinning my own silk thread (largely the white on the left, mulberry/bombyx, with a random foray into the darker yellow on the left, eri silk) for needle lace.
(Ignore the red/yellow nonsense on the bobbin, which is sari silk; I was too lazy to reel it off because my bobbin situation is hilariously dire.)